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With its all-star cast and fizzy blend of sophistication and flat-out
slapstick, Tillie’s Punctured Romance is a landmark in film
history for several reasons. Besides providing Marie Dressler with her
screen debut, and being the first feature film for both Mabel Normand
and Charlie Chaplin, it is believed to be the first feature-length comedy
film ever. Expanding the comic film from its usual one- or two-reel length
to six reels gave filmmaker Mack Sennett a broader canvas to better display
his stars and the comedic innovation with which he had made his name.
The film’s reputation suffered over the years as it was available
only in drastically re-cut and shortened versions. The UCLA Film and Television
Archive’s recreation of the originally released version culls footage
from over a dozen sources, resulting in a print more than nine minutes
longer than the most complete prints previously available. The restored
Tillie’s Punctured Romance reveals itself as an interesting
hybrid. Much of the action is staged frontally on sets, as befits Dressler’s
theatrical background and Chaplin’s music-hall roots. At the same
time, many scenes are shot on location, and Sennett intercuts deftly between
as many as four different locations. The film’s final reel is a
comedic crescendo, building from a brief pie fight to mayhem caused by
Tillie firing a pistol indiscriminately, culminating with a farcical chase
on a pier featuring the Keystone Kops on land and sea.
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This evening’s program features live musical accompaniment by Tillie’s
Nightmare. This five-piece ensemble (clarinet, piano, cornet, banjo and
percussion) combines the talents of some of Boston’s best musicians.
Ken Winokur — whose other silent film ensemble, the Alloy Orchestra,
has enlivened the silents for more than a dozen years — put this
group together for tonight’s performance, stating: "There are
a lot of other groups performing music for silent films, but none like
Tillie’s Nightmare. We’re attempting to bring the verve and
excitement back into the films of the early 20th century. Ragtime and
the other popular musical styles of this period had a grip on that generation’s
imagination. The music was full of energy and innovation. We’re
hoping to have audiences on the edge of their seats, tapping their feet,
ready to spring into the aisles and dance."
Tillie’s Punctured Romance (1914). Directed by Mack Sennett.
Keystone Film Co. Producer: M. Sennett. Based on the play "Tillie’s
Nightmare" by Edgar Smith and A. Baldwin Sloane. Starring: Marie
Dressler, Mabel Normand, Charles Chaplin, Charles Bennett, Mack Swain,
Chester Conklin. 35mm, silent, 82 min.
Preservation funded by The Film Foundation, UK Film Council, and Saving
the Silents, a Save America’s Treasures project organized by the
National Film Preservation Foundation, the National Endowment for the
Arts and the National Parks Service, Department of the Interior. Support
for this program provided to the UCLA Film and Television Archive by Hugh
Hefner.
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